This harrowing, visually stunning new film from director Cristian Mungiu (4 Months, 3 Weeks and 2 Days), inspired by the non-fiction novels of Tatiana Niculescu Bran, unfolds in and around a remote monastery where pious young women toil dutifully under the ever-watchful eye of an austere priest known as Papa (the excellent Valeriu Andriuta). As the film opens, Alina (Cristina Flutur) arrives to visit her friend Voichita (Cosmina Stratan), one of the nuns in training. As children, the two women lived together in an orphanage where the tough, short-tempered Alina served as a protector for her more delicate friend. Now, Alina wants Voichita to leave her cloistered life and return with her to Germany, but as the fateful hour draws near, Voichita seems disinclined to go, and so Alina stays on for a while, which is when the real trouble begins. Inspired by a case of alleged demonic possession that occurred in Romania’s Moldova region in 2005, Beyond the Hills is not a supernatural thriller but rather an all too believable portrait of dogma at odds with personal liberty in a society still emerging from the shadow of Communism. For their remarkable lead performances, screen newcomers Flutur and Stratan shared the Best Actress prize at this year’s Cannes Film Festival, where Mungiu also received the Best Screenplay award.
After twenty‐five years in prison, Foley (Samuel L. Jackson) is finished with the grifter’s life. When he meets an elusive young woman named Iris (Ruth Negga), the possibility of a new start looks real. But his past is proving to be a stubborn companion: Ethan (Luke Kirby), the son of his former partner, has an ingenious plan and he wants Foley in. The harder Foley tries to escape his past, the tighter he is ensnared in Ethan’s web of secrets, until it becomes all too clear to Foley that some wrongs can never be made right.
Winner of the Jury Prize at the 2011 Cannes Film Festival and nominated for 13 César Awards, POLISSE follows the daily lives of a tight-knit team of men and women working in the Child Protection Unit of the Parisian police. Basing her richly textured script on real child investigation cases, writer- directoractor Maïwenn has gathered an accomplished ensemble cast of French actors who convey the emotional strain of the unit’s work with gritty realism. They not only deal with the stress of their jobs but the inevitable fall-out in their personal lives - breakdowns, divorce and adulterous relations within the force. In between, there are frequent flashes of humor as the team attempts to diffuse daily realities. As the cases,confessions and interrogations pile up, the squad members have only each other as support as they face an uphill battle against both criminals and bureaucracy.
Jeremy Reins (Dorff) is about to have a very bad day. He wakes up in total darkness, confused and disoriented. The only light comes from the blood-red digital numbers ticking away above his head. Jeremy quickly realizes he’s in trouble. It’s hard to breath. He can barely move. And no one will answer his cries for help. Then, he hears the sound of an engine and it all becomes clear…he’s trapped in the trunk of a moving car.
As his captors reveal themselves and their motives, Jeremy realizes he won’t be set free until he gives up the whereabouts of “Roulette,” a secret location where the U.S. President is taken in the event of a terrorist attack.
After leaving their company Christmas Party together, David Hargrove and Emily Brandt’s impromptu first date takes an unexpected turn when their coworker, Corey, asks them to make a late-night stop at an ATM. What should be a routine transaction turns into a desperate struggle for survival when an unknown man appears outside the vestibule. With the wintry temperatures dipping below freezing, and the morning sunrise still hours away, they have no choice but to play the man’s deadly game of cat-and-mouse.
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