After the box office failure of Barry Lyndon, Stanley Kubrick decided to embark on a project that might have more commercial appeal. The Shining, Stephen King’s biggest critical and commercial success yet, seemed like a perfect vehicle. After an arduous production, Kubrick’s film received a wide release in the summer of 1980; the reviews were mixed, but the box office, after a slow start, eventually picked up. End of story? Hardly. In the 30 years since the film’s release, a considerable cult of Shining devotees has emerged, fans who claim to have decoded the film’s secret messages addressing everything from the genocide of Native Americans to a range of government conspiracies. Rodney Ascher’s wry and provocative Room 237 fuses fact and fiction through interviews with cultists and scholars, creating a kaleidoscopic deconstruction of Kubrick’s still-controversial classic.
In 1989, five black and Latino teenagers from Harlem were arrested and later convicted of raping a white woman in New York City’s Central Park. They spent between six and 13 years in prison before a serial rapist confessed that he alone had committed the crime, resulting in their convictions being overturned.
Set against a backdrop of a decaying city beset by violence and racial tension, THE CENTRAL PARK FIVE tells the story of that horrific crime, the rush to judgment by the police, a media clamoring for sensational stories, an outraged public, and the five lives upended by this miscarriage of justice.
At age 98, director Arnon Goldfinger’s grandmother passed away, leaving him the task of clearing out the Tel Aviv flat that she and her husband shared for decades after immigrating from Nazi Germany in the 1930s. Sifting through a mountain of photos, letters, files, and objects, Goldfinger undertook the complex process of making sense of the accumulated ephemera of a lifetime. In the process, he began to uncover clues pointing to a complicated and shocking story: a chronicle of the unexpected yet inevitable ethical ambiguities and repressed emotions that arise when everyday friendships suddenly cross enemy lines.
In his award-winning, emotionally riveting documentary, THE FLAT, Goldfinger follows the hints his grandparents left behind to investigate long-buried family secrets and unravel the mystery of their painful past. The result is a moving family portrait and an insightful look at the ways dif- ferent generations deal with the memory of the Holocaust.
HOW TO SURVIVE A PLAGUE is the story of the brave young men and women who successfully reversed the tide of an epidemic, demanded the attention of a fearful nation and stopped AIDS from becoming a death sentence. This improbable group of activists bucked oppression and, with no scientific training, infiltrated government agencies and the pharmaceutical industry, helping to identify promising new medication and treatments and move them through trials and into drugstores in record time. In the process, they saved their own lives and ended the darkest days of a veritable plague, while virtually emptying AIDS wards in American hospitals in the process. The powerful story of their fight is a classic tale of empowerment and activism that has since inspired movements for change in everything from breast cancer research to Occupy Wall Street. Their story stands as a powerful inspiration to future generations, a road map, and a call to arms. This is how you change the world.
AI WEIWEI: NEVER SORRY is the first feature-length film about the internationally renowned Chinese artist and activist, Ai Weiwei. In recent years, Ai has garnered international attention as much for his ambitious artwork as his political provocations. AI WEIWEI: NEVER SORRY examines this complex intersection of artistic practice and social activism as seen through the life and art of China’s preeminent contemporary artist.
From 2008 to 2010, Beijing-based journalist and filmmaker Alison Klayman gained unprecedented access to Ai Weiwei. Klayman documented Ai’s artistic process in preparation for major museum exhibitions, his intimate exchanges with family members and his increasingly public clashes with the Chinese government. Klayman’s detailed portrait of the artist provides a nuanced exploration of contemporary China and one of its most compelling public figures.
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